Thursday, December 31, 2009

Red And White Italian Checkered Tablecloth

Happy 2010!! Merry Christmas

San José, the Virgin Mary, the ox, the Humane Association of Galilee, the shepherds, the Association of Residents of Bethlehem, the child, the Magi, the little angels, camels, their **** Mother, my mother, turtles, ferrets, cats, and I wish you a happy 2010.



May this new year you find happiness, health, love, money, peace and everything you need. And what you find not seek him in Google.

Ahh, and if you see Twelfth Night Gaspar undresses and gets into your bed, you asked explicadle it was a "volvo" ...

Thursday, December 24, 2009

Heather I Deep Throat Big Tits



Wish you a very Merry Christmas, hope Santa is very good to you, I said that was teaching units for all not know if this is true, je hehe.

Wednesday, December 23, 2009

Magnets To Cover Washer

Teaching unit: Introduction to clay sculpture and restoration class and examination



COURSE SCHEDULE 2009/10 ACADEMIC


Issue Date: 23/12/2009
Area Qualification: FINE ARTS
Course: Introduction to Sculpture clay and restoration
Course: Elementary and secondary (All courses)
Duration: 4 hours
week Teacher: Rachel Marcos de León Mora
I. Objectives.

The main objective of this course is to establish a first contact with the three-dimensional through modeling. This course aims to provide students with basic knowledge of the technical management of modeling clay to learn how to restore it later. To do this, students must:



  • know the process of using the clay and the tools with which to make this sculpture through modeling, either with sticks or with their own hands .

From the general character of the subject intended to be taught in primary and secondary school children, their application will vary according to age and the assimilation of concepts, both acquired as set out in the students themselves to make it possible to materialize the three-dimensional space and everything that contributes to the scope of such three-dimensional (sculpture specific materials, in this case clay). A job that can be extended to the development of other subjects that require the participation of a certain size.

practices are focused on "experimentation as a means of investigation." Deepen the study of both materials and artistic techniques applicable to the field of sculpture. The knowledge that covers the subject are essential concepts to understand and apply to any modeling sculpture project with mud.
teaching objectives are:

  • That the student develop their creative abilities in the field of sculpture.


  • introduce the student in developing a collective work.


  • familiar with common materials in terms of modeling sculpture is concerned.


  • That the student is capable of forming a whole from a series of parts.


  • The development
    student a series of basic notions of proportion through desproporción, es decir, que sean capaces de darse cuenta de si una escultura esta proporcionada o no.

  • Que el alumno sea capaz de distinguir el volumen.

II. Contenidos.
Los contenidos no son fijos, sino que pueden ser modificados por distintos motivos:

  • Sugerencias del alumno.


  • Decisiones del profesor.


a) Metodología.


  • El trabajo se realizará mediante un método constructivo y aditivo de construcción.


  • The exercise should be conducted in 4 sessions.


b) Minimum contents.

  • Perform work within the school premises or school.


  • Deliver work date, they have some logical relationship with the parties and other groups that comprise the class, and therefore the collective exercise.


III. Subject development.
1. The active student.

The main idea that sits on this subject is that the student is the builder of his own knowledge to participate actively in the development of the subject. Students can make suggestions on how to conduct the practical exercise so you can achieve a goal that meets mainly its own pretensions.


2. The structure of the course will be:

Part A - Theory.

  • Introduction and the proposed exercise.


  • Sharing of results.


Part B - Practice.

  • Development of a practical work in groups (exquisite corpse) based on the opinions and suggestions of the student.


3. Organization theory and practice.


in a brief will explain how to develop theoretical exercise. Similarly, before proposing the same, they ask students who know about art, if they know an artist, and most importantly if they have heard of the sculpture and if they can explain what is it? However, before beginning the practice were introduced to the world sculpture with a brief explanation of the materials, with an increased focus on materials for clay modeling (chopsticks, molders, etc.).. All tools and materials that could be sharp or pointed objects are only used by the teacher or teachers who are in the classroom, or in his absence by pupils aged 15. All subjects will be focused on the work developed in the workshop.

The contents of concept will condition all the practical process that will take place in the classroom. Both blocks are referred to language research and artistic production of sculptures.

Later, with the completion the first practice will be discussed in a theoretical way to restore the cracked mud and immediately proceed to implement it.

IV. Evaluation form.

The final grade will be an ongoing assessment will be influenced by the participatory nature of the student, as well as its creative level when planning and to resolve the proposed exercise. Be taken into account the following principles:

Given the continuous assessment of the subject, and since only two exercises carried out during the workshop will require full and proper implementation of at least one of the two years of eligibility for the approved class of the subject. These activities will score while complying with the deadlines that will be defined along the course.


GIVEN IN CLASS FRANCISCO DE QUEVEDO CEIP


The past and 26 and November 27 I did my first internship as a teacher in college Francisco de Quevedo, the center located in Getafe (Madrid). It is located at Avenida Armed Forces No. 6, near the stop MetroSur Alonso de Mendoza.

The center is a public school of Madrid where he taught bilingual classes for children aged 3 years to 12, ie it is a school dedicated to impart knowledge to children in child training and either primary in their mother tongue as a foreign language. They also have workshops in theater, music, computer activities, and a section for the speech and pedagogy, and a Parent Teacher Association. (APA).

Classes are held in both English and English. And among teachers can find a group of native speakers of Anglo-Saxon language.

The school is located in an area of \u200b\u200bpurchasing power setting, since it receives students from different and varied economic status.

One of the notable aspects of this center is the integrity that exist in students from other places.

Also this school is a school with history, and who have studied generations of families who have remained in the memory of all thanks to the fringes that are hanging decorating one of the halls of the center.

classes I've had the opportunity to explain have been implemented with students from 6 to 7 years, 1 º and 2 º of Primary respectively. In the classroom there are children of many races and different countries of origin and a child with Down syndrome. The center's facilities are large and spacious classrooms, and housing more than 25 children per classroom and is necessary space so they can move well for them when making any type of exercise recommended by or in the event of bad weather and have to stay in the range of recreational play on them. No presence of water inside the classroom, because if any student needed it, the only place would find the services, located in each of the plants that make up the center and separate toilets for teachers . The light in the classroom is clear as the windows are large enough so that light can pass through them and thus illuminate the whole class. The electric light is used only in specific cases (bad weather). In any classroom there is a presence downtown crucifixes or objects that relate to religious symbols.

For Primary 1, children sit in pairs in large tables together. These are arranged in three rows with four tables in each row, in order to accommodate the 23 children who make up the class. However, in the class of 2 year of primary education, the classroom is arranged so isolated. Children are seated at tables in one place, separated by corridors of about 70 cm difference between a table and another. In this class there are about 25 children. Backpacks for these children in both classes are located next to the desk or otherwise caught in the back of the chair. By contario coats and clothes on hangers are willing placed at the height of the students. In addition, each desk is written on a sticker the name of each student so that children have a fixed site for the entire school year. Both types are decorated with drawings made by many students and teachers who also work by having the classroom as pretty as possible. Among the set of colors you can find cards which are the names of colors in both English and English, the numbers and letters among other things. Also in the door is a list of rules students must comply with a list of names of all students in the class accompanied by stars in some of the names. These stars are the reward of a well done exercise in a particular subject.


CONTENTS (CONTINUED)

This teaching unit is a thematic unit, its main objective is the discovery of the sculpture and the encouragement of creativity through fun exercises, original and unique.

As I said on the programming, the contents are not fixed, can be modified, both by making the teacher and the student shall be binding notwithstanding the fact to the practice in class, accompanied practices small or detailed review explaining some information about both the materials necessary for the exercise to be performed, as some historical knowledge about the sculpture.

will be taken into account all the progress of work. Just as the participatory nature of the students.

binding will deliver the exercise date, and the fact that the proposed exercise has a certain thematic continuity.




ACTIVITIES As the activities section to say that these will be made within the center, in a specific classroom workshop, and should put all the tables the same for its realization. This group activity, so it is both necessary and required good teamwork.

The proposed exercise is to develop an "Exquisite Corpse." In the case of working with children ages 6 to 9 years would be more appropriate not to use frames or sharp object to carrying out this practice as it could be dangerous, so in this case the exercise will be held in horizontal and not vertical. If the student exceeds the age of 10 may be used iron frames for the development of the year in question.

This exercise should be performed in at least two sessions of one hour then move to the next section of the course, which will be the restoration of the sculpture with vinegar (acetic acid).

For restoration with children under 9 years will be modeled just a small portion of mud that will insert a blunt object and left to dry so that they can then discover and learn how to restore the wounds caused by that particular object, because simply by virtue of not using the frame can not crack the mud and would not make much sense to make the restoration of a piece that does not.


CUTTING THEMES

By raising the use of clay UD material from the attempt to explain the origin of it and its applications in ancient times As well as its tactility and detail the possibilities offered by this material as used in modeling.


MATERIALS AND OTHER RESOURCES CAN BE HANDLED


materials have in mind when handling the mud or clay will stick, molders, etc. Before distributing these materials, it should explain that part sticks to find specific stores also can build themselves, if they are children under 10 years should tell you that these sticks have to do with the parental assistance people or adults to avoid future accidents. They shared

least one stick per child, trying to adapt to the area of \u200b\u200bexquisite corpse to be carried out.


CRITERIA

The final grade will be an ongoing assessment will be influenced by the participatory nature of the student, as well as its creative level when considering and resolving the proposed exercise. Be taken into account the following principles:

Given the continuous assessment of the subject, and since only two exercises carried out during the workshop, will be necessary to perform complete and adequate for at least one of two class periods to qualify for the approved of the course. These activities will score while complying with the deadlines that will be defined along the course.

What?

be assessed the degree of learning in the development of the work according to the knowledge already present in the student before conducting exercises and the subsequent knowledge that you can buy after the completion of these exercises.

How?

The way to assess these practices will be using each of the parts of the work, according to personal skills and the methodology used, always bearing in mind the difficulties that may arise when making certain part of the exquisite corpse.


SELF-ASSESSMENT PRACTICUM

Regarding the criteria of self-evaluation of teaching practice I think I could successfully carry out the objectives stated in the UT as well as the degree of involvement by both the students like me. I think the simple act of doing something different (the collective realization of a sculpture with clay) to what these children 6 and 7 years were not accustomed to has been really what has made them to be as collaborators and so creative. I also believe they have shown that illusion for wanting to do good exercise and it is worthy of admiration.


REMARKS / NOTES
conclusion of this practice say it has been quite fruitful, as I learned to handle situations that I never thought I could get to control, because children of this age are quite hyperactive and almost impossible to get to be quiet.

I think the fact this practice is one of those feelings that make you feel good about yourself, and help you grow as a person and as a future teacher. Therefore, I assume that this feeling had not existed if it were not for all that make up the subject of "Creativity and Art Education" especially with the help of María Jesús Abad Tejerina, whose advice has strengthened the theory that everything can be improved.

Saturday, December 19, 2009

Replica Trophy Manufacturers Lombardi

Group 9 (December 17, 2009) Exhibition

On Thursday the group 9, consisting of: Monica Aranzazu Celia and delighted us with his class that was about the manga comic. Since that ruling had not before giving his class, even saying the name of the partner when it ceded the shift. And as I say curiosity I asked without thinking with Victor Nieto, as it was the glasses, and gave coincidence that all three wore glasses, lol.

Celia he looked a bit nervous and the fact that some classmates were distracted she was also distracted.

That if the PowerPoint of paragraph manga was fine with their photos and explanations, although these three read it very often.


As for the written test, I think they should have said that to "keep notes", because no one saved. Also, I think they should have done the practical part manga drawing before the test and not the end.

But it has generally been good, I ceñistéis great time and sharing all Tabajaras was fun.

Alfretto By Maruri Figurine

book: "Creativity in Education, Primary and Secondary Schools" Curriculum Vitae


On Wednesday December 16th I had the opportunity to speak on the book read for the course "Creativity and Arts Education" entitled " Creativity in Early Childhood Education, Primary and Secondary " written by Juan Casas Carbajo, whose presentation in Power Point and hung up on this blog the day I finished reading and summarizing.
just say I hope you enjoyed my opinion about this book.

Tuesday, December 15, 2009

How To Get Free Account On Bait Bus

Raquel Marcos de León Mora

CURRICULUM VITAE Mark Leon Raquel Mora




















1. PERSONAL DATA

- Address: C / In a place where I do not know that now can not remember.

- Phone: 919191919.

- Mobile: 666666666.

- Email:
- Date of birth: 26 / 06 / 1989.

- ID: 50,500,500 Q. [2]

2. EDUCATION

  • 2010:

    - Course 3 of Bachelor of Fine Arts at the Universidad Complutense de Madrid (CES Felipe II (Aranjuez)). [3]

    - 2 of Studying Italian in the Official School of Languages \u200b\u200bTeacher (Madrid). [4]

  • 2007:

    - Bachelor Degree of Art in the IES Domenico Scarlatti (Aranjuez). [5]
3. ADDITIONAL TRAINING

- Italian: medium level oral and written.

- English: intermediate level oral and written.

4. TEAM AWARDS AND SCHOLARSHIPS

  • 2010:

    - college scholarship from the Ministry of Education and Science (MEC). [6]

  • 2009:

    - college scholarship from the Ministry of Education and Science (MEC). 6

  • 2008:

    - college scholarship from the Ministry of Education and Science (MEC). 6

  • 2002:

    - Third prize offered by the City of Seseña by conducting a bookmark to mark Day book Seseña Cultural Centre. [7]

  • 2001:

    - First prize offered by the City of Seseña for carrying out the program cover of the New Seseña parties. [8]
5. EXHIBITIONS

  • 2009:

    - Selected to exhibit sculpture and photographic work in the exhibition end of the course organized by the CES Felipe II (Aranjuez), degree in Fine Arts, the Cultural Center Elizabeth Farnese by students of Fine Arts. [9]

    - Participation in the assembly of a group exhibition of-course organized by the CES Felipe II (Aranjuez), degree in Fine Arts, the Cultural Center Elizabeth Farnese by students of Fine Arts. [10]

  • 2008:

    - Selected to exhibit sculpture in the exhibition end of the course organized by the CES Felipe II (Aranjuez), degree in Fine Arts, the Cultural Center Elizabeth Farnese by students of Fine Arts. [11]

    - Participation in the assembly of the collective exposure to course organized by the CES Felipe II (Aranjuez), degree in Fine Arts, the Cultural Center Elizabeth Farnese by students of Fine Arts. [12]
6. PUBLICATIONS


7. PROFESSIONAL EXPERIENCE

  • 2009:

    - Teaching Practices in the CEIP Francisco de Quevedo (Getafe) for the course "Creativity and Art Education." [16]

    - Report on the casting Codina Hermanos SL with graphic material of bronze casting process.
8. LETTERS OF RECOMMENDATION

  • 2009:

    - Letters of recommendation written by Italian and English, Maria Cristina Reggio, professor of the Academy of Fine Arts of L'Aquila (Italy). [17]
9. ATTENDANCE AT

  • 2007:

    - Attendance at the conference by D. Vicente Sanchez-Moscoso Alemany entitled "Disease and Health body painting: The theory of the temperaments in modern painting." [18]
[1] Photo added to the tab number 1 of the accompanying documentation. [2] National Identity added to the tab number 2 of the accompanying documentation. [3] Certificate CES Felipe II (UCM) added to the tab number 3 of the accompanying documentation. [4] Certificate of Official Language School added the tab number 4 of the accompanying documentation. [5] Baccalaureate Certificate in Art added the tab number 5 of the accompanying documentation. [6] Certificate MEC grants added in the tab number 6 of the accompanying documentation. [7] award certificate added to the tab number 7 of the accompanying documentation. [8] award certificate added to the tab 8 of the accompanying documentation. [9] added exposure Certificate tab 9 of the accompanying documentation. [10] Certificate of the exhibition added to the tab number 10 of the accompanying documentation. [11] Certificate of exposure added to the tab number 11 of the accompanying documentation. [12] Certificate of the exhibition added to the tab number 12 of the accompanying documentation. [13] Photocopies of catalog added in the tab number 13 of the accompanying documentation. [14] Photocopies of catalog added in the tab number 14 of the accompanying documentation. [15] Photocopies of the newspaper added in the tab number 15 of the accompanying documentation. [16] teaching practice certificate added to the tab number 16 of the accompanying documentation. [17] Recommendation letters added to the tab number 17 of the accompanying documentation. [18] photocopy of the invitation added to the tab number 18 of the accompanying documentation.

Lease To Own Properties In Mckinney

Class and review of group 8 (December 10, 2009)

On Thursday the group comprising 8 Julieta, Paul and Jesus. To start say it was pretty good generally, although not include the use of photographs in the power point and in the case of Paul's part to emphasize how small the letters were in the spotlight as they were unreadable. The attitude of Jesus to the time to explain his part, did not distinguish very well if he was the teacher or student by the act of sitting in a corner of the table. Juliet has been brilliant in my opinion especially when he said at the very beginning to appear that she was ill and that if we saw that coughed or sneezed a lot to cast a run, lol.


Well, since the exercise of doing a chop fun and I found out what we saw commonly in almost all classes offered by the other partners including, of course, myself included.

Monday, December 7, 2009

Sayings On Thespinal Cord

Observation in the classroom made a fellow of the subject Creativity and Art: Víctor Nieto and Juan Alberto Moreno

classroom observation

SCHOOL LOCATION:

The school where the observation has been made is the CEIP Francisco de Quevedo, the center located in Getafe ( Madrid). It is located at Avenida Armed Forces No. 6, near the stop Metrosur Alonso de Mendoza.


SCHOOL LOCATION:

is a public school of Madrid where he taught bilingual classes for children aged 3 years to 12, that is, a school that is dedicated to impart knowledge to children in child training and either primary in their mother tongue as a foreign language. They also have workshops in theater, music, computer activities, and a section for the speech and pedagogy, and a Parent Teacher Association. (APA).

Classes developed in both English and English. And among teachers can find a group of native speakers of Anglo-Saxon language.


SOCIO-ECONOMIC LEVEL:

The center is located in an area of \u200b\u200bpurchasing power setting, since it receives students from different and varied economic status.

One of the notable aspects of this center is that there is integrity in students from other places.

Also this school is a school with history, as generations have studied families, who have remained in the memory of all thanks to the fringes that are hanging decorating one of the halls of the center.


CONDITIONS OF ROOMS 1 AND 2 NUMBER OF PRIMARY EDUCATION:

The first observation is made for children 1 year of primary school (6 years). In the classroom there are children of many races and different countries of origin and a child with Down syndrome. The center's facilities are large and spacious classrooms, and housing more than 25 children per classroom and need the space so they can move perfectly ellas a la hora de hacer algún tipo de ejercicio que lo recomiende o en caso de que haga mal tiempo y tengan que quedarse en el intervalo del recreo a jugar en ellas. No hay presencia de agua en el interior de las aulas, puesto que si alguno de los alumnos la necesitara, el único lugar donde encontrarla serían los servicios, situados en cada una de las plantas que compone el centro y separado de los aseos de los profesores. La luz dentro de las aulas es clara ya que las ventanas son bastante grandes como para que pueda pasar la luz a través de ellas y así iluminar toda la clase. La luz eléctrica solo es utilizada en casos puntuales (mal tiempo). En ninguna de las aulas del centro existe la presencia de crucifijos u objetos que atañen a simbologías religious.

For Primary 1, children sit in pairs in large tables together. These are arranged in three rows with four tables in each row, in order to accommodate the 23 children who make up the class. However, in the class of 2 year of primary education, the classroom is arranged so isolated. Children are seated at tables in one place, separated by corridors of about 70 cm difference between a table and another. In this class there are about 25 children. Backpacks for these children in both classes are located next to the desk or otherwise caught in the back of the chair. For the contario coats and clothes are arranged on hangers placed at the level of the students. In addition, each desk is written on a sticker the name of each student so that children have a fixed site for the entire school year. Both types are decorated with drawings made by many students and teachers who also work by having the classroom as pretty as possible. Among the set of colors you can find cards which are the names of colors in both English and English, the numbers and letters among other things. Also in the door is a list of rules students must comply with a list of names of all students class stars accompanied by some of the names. These stars are the reward of a well done exercise in a particular subject.


TEACHER, WHAT TO DO, HOW DOES THE TRAINING UNIT:
Teachers, in this case Vítor Nieto Alberto Fernández and Juan Moreno Omiste, implement its unit that deals with the application color and blends. They do it in a class of 2 hours with children between 6 and 7 years old.

In this way, class begins:

First present and explain that they are art students who have come to do an exercise with them. Both warn that they will take photos and do not be scared that the camera does not bite.

One boy also named Victor says his name is the same, then Victor and Victor go hand in hand. Then there is a chain reaction and all children are to be submitted. Alberto finally found the solution to the problem, proposes that in an interval of three seconds to say their name all together crying, and thus gets to settle the matter of the presentations.

Victor asks, "What know the colors? "

" What are they? "

" What if there were no colors "

" There would be traffic lights and therefore the city would chaos because we could not cross the street. "

"How many colors are there?"


Children answer: "Many."

going to explain to serve the colors and said that the colors are used for many things.

Children are placed ahead of the teachers. The teachers, in this case, Victor Nieto Alberto Fernández and Juan Moreno Omiste, we explain how the colors and relate them to things of everyday life and also are present in class.

The class is interrupted because a girl is late.

Other children begin to spin out because of that and have to restore order.

Victor asks a girl if they can tell the colors of the rainbow, and it begins to random colors that nonsense.

Another girl tells Victor that she knows the colors of the rainbow and memory says: "The rainbow is made up of red, yellow, orange, green, blue, indigo and violet."

Victor and Alberto respond, "Okay."

then asks: "Do you know which way a rainbow?"

A child says, "For the rain, because the sun goes down."

Victor sets out to clarify is exactly why the rainbow.

then ask them to show yellow color and then make way for the association of colors.

Thus, ask the question: "What colors do you see in the summer?"

Children answer: "Yellow."

Then: "What color is your skin gets the heat?"

They (children) answer: "Red."

"Now it's cold What color would associate him?"

These
answer: "With the blue."

Victor and Alberto are preparing to write on the blackboard with colored chalk in capital letters seasons with the color associations and by the weather station, so that:


SUMMER = HOT

COLD WINTER =
= MEDIUM COOL FALL

SPRING = MEDIUM HEAT


A girl says, "I do not like you put the word environment medium heat and cold in autumn and spring are ugly words."

And the teacher replies: "It's the best definition to explain the temperature according to the season."

Below we talk about light colors and say they are: blue, red and green and come as its name indicates light.

One girl replied that that is a lie and everyone else Alberto is asked how he knows that. "

Alberto replied: "Because I looked on Wikipedia."

Victor Alberto and ask them to speak please raise your hand.

Then keep talking about pigment colors: yellow, magenta and cyan.

Later
begin to ask children are mixtures of colors already mentioned.

talk about primary colors and then go on to talk about the side are a mixture of two primaries.

Then set an example to the children asking if they want to know where do the colors we use. Kids say yes and teachers take a bag of red powders. Students call them magic dust and Victor says that in some way if they are magical, because you can make multiple painting techniques.

class is interrupted because a girl asked to leave the bathroom. The teachers tell the girl that goes to the bathroom during recess, but access to the toilet.

Then Victor and Albert roam with the magic dust for each of the desks for children to see them up close, telling them in advance to each child costs a lot and clean soiled hands.

Make a general question: "Do you know from where these fairy dust?".

The children reply, "Noooo."

And teachers say: "From the earth."

Then mix the pigments of yellow and blue paint brushes for children to see the results you get from your mix.

Then they ask: "Who has been on the beach this summer?".

Many children raise their hands.

Then ask, "What about the field?".

One boy answers: "I've been in the pool (beach) and turf (field)."

There is laughter from the teacher was present, as the teacher of the center was distanced from the students, although watched from the balcony.

So they ask: "Do you know a name of a famous painter?"

They respond: "Yes, Miro and Picasso."

Victor and Albert propose to make a drawing children free, but divide the class into four groups of about six people, telling each of the groups to draw: spring, autumn, summer and winter with the appropriate colors each time, ie they are able to give the feeling of temperature according to the season.

ask teachers if they need paint, as they have.

One boy answers: "What I need is a break (and lies on the table).

Then Victor about the child and tells of a loving and tickling that this is not a bed.

Finally Victor manages to wake the child's will to work on the proposed exercise.

Another boy says he has an album of drawings and said that his mother has photos.

A girl approaches and asks to Victor if done well and if you draw a rabbit do not get it.

the end just talking football, specifically the color of the shirts.

One boy said: "Madrid is the best team in the world," Messi is a poop.

then starts the contention and argument because there are colleagues who are the club.

Children paint more or less in silence, occasionally rise to ordered colors between them and to sharpen.

Teachers are very attentive to what they do care about kids and see what they paint and draw.

Albert Victor and give the order to be finished, since it is near the key time for completion of the session. Then they have to answer the doubts that are happening to students on how to finish the drawing.

children talking among themselves and say that it is true that the other colors are mixed, for example by mixing yellow and blue results in green.

Children draw mountains and stuff (mostly landscapes). There is an exception in the result of one of children, because he had to paint him fall and drew two thieves with bags of money (lots of money bags, come in the picture there was no space for anything else) brown.

So Victor said: "What about the thieves steal in autumn and summer, they spend it?".

One boy gets up and goes to Alberto to teach drawing.

Alberto
After the class walks around taking pictures of children who have completed their drawings with their corresponding paintings in his hands.

While Victor continues to help the laggards to paint and draw.

Children who have already completed your drawing a bit out of control and take away your camera and take pictures Alberto aimlessly.

the end Victor gets put some order picking one of the children of the waist (like a plane) and placing it in their correct places. The child so happy I kept laughing and Victor wanted to do it again.

Another child goes to the bathroom to get wet paper to clear his desk, and it had left tremendous.

To conclude the exercise Alberto and Victor will ask children to write their name in the drawing so that they can take so we can correct them and especially to know who each drawing.

Two minutes before the end of a class of children reach and other colleagues repeated the same operation as the beginning, booing and this particular child, saying: "Later, later."


CONCLUSION:

I think
classes have been teaching my fellow "Creativity and art education" Victor Nieto and Juan Alberto Moreno has been very enjoyable and very well have been given by both parties.

I found small problems when placing order when all the children talked at once, but only at first, because as they were encouraging the problems were solved easily.

I think they should improve a bit the answers are given to the student, for example in the case of "I've looked at the Wikipedia", quoted by Juan Alberto Moreno as a child of that age probably does not know what is Wikipedia and it will be like before asking the question.

In my view, where the practice was carried out was very appropriate, because the school had very favorable facilities for both teachers and pupils alike.

usually very well have been taught the classes offered by these two colleagues and I think they have a good future as teachers.



Saturday, December 5, 2009

Dentist On Saturday Austin, Tx

Interdisciplinary Workshop for Non-Sociologists Sociology


SOCIOLOGY interdisciplinary WORKSHOP FOR NO SOCIOLOGISTS
2010 School Year

Presentation The current conditions of professional practice tends to tansdiciplinariedad interdiciplinariedad and is interpreted today that science and knowledge would be in a stadium that makes the times of post-science, where the positivist paradigm, shared for decades and has given way to others associated with post-modern times, post-industrial or post-scientific.

For the social sciences, psychology, anthropology, psychiatry and social sciences and humanities in the new paradigms of the specific make each particular discipline is undergoing a deep crisis and transformation.

The field of sociology is not alien to this reality of significant change as the specialization and the division between pure and applied, macro, micro, psychosociology, clinical, and qualitative methodologies.

psychologists who approach the sociological thought as a working tool, sociologists who venture into the psychoanalysis as a way of approaching reality, new areas such as clinical sociology (a type of psycho-sociology) are becoming the new forms of approach.

In this context, we understand that it would be essential to review the contributions of both classical as Durkheim, Marx, Weber, the school French in Frankfurt, Vienna, the American sociologists such as Foucault, Arend, Goffman, Bourdieu, Lipovesky, Lahire, Sartori, Giddens, Verdu, Adorno, Zuzek among others, update knowledge in Methodology in Social Sciences from the qualitative perspective and quantitative, content analysis and discourse to-date knowledge to address our various professions focusing from new angles and positions.

As a way of updating and professional specialization, we propose a workshop Intediciplinario Sociologists Sociology for 1 year No school with a semi-face, combining face meetings and use of Internet support enprofundidad addressed in reality from the macro perspective and microsociological that makes the context of economic globalization, the globalization of culture in a world without certainties and dual impact on all orders of social life: family, work, family, sexuality, health and disease.

Teachers: Ronaldo Setting Deligdisch and faculty

Responsible Coordinator: Ronaldo Deligdisch

mode: Monthly The classes will be in workshop mode, the address and discuss mandatory and bibliographies the outlines of the papers that each attendee be performed and exhibited. Part of the literature will be available online and will be sent electronically, the rest delivered as work material at meetings.

The method of communication will be from forums and discussion groups and consultation sessions through the various virtual media from Chespi we use. This course available in virtual mode.

Addressed to: Graduates Universistarios, Tertiary or people interested in the theme that after a personal interview are admintidas.
will present certificates of attendance.

Handout: photocopying service will be in charge of the wizard.

Minimum Capacity: 20 participants.

Home: Module I January / July 2010 - Module II August / December 2010

Thursday, December 3, 2009

How To Open A Gunniess Keg

Class and review of group 7 (3 December) asking intelligent questions

Today three of our colleagues, Inma, Paloma and Mary will have spoken and visual communication tools. The class really has seemed a bit boring, and share opinions. But I think I have cleared the examination they have called trivial, but do not know what to come as the board if in fact there was no need for anything. Despite this, say that some game questions were poorly made and some answers were multiple. As for how to say your class all the time Hebeisen been reading the power point we saw ourselves. It has also hinted a little poorly organized that you had the job in assembling the power point, since the fact of power points to 6 produces a considerable loss of time when your expose subject. In my opinion I think you spent more time on the exam "trivial" that exposure of the subject and that is what he has conveyed this feeling of imbalance. But if that next time mejoráis sure you do it better. So mind that everything can be corrected.

Honeymoon Destinations For September

Workshop

Yesterday we had the opportunity to do a workshop to ask intelligent questions. Maria Jesus, accompanied by her sister made us cuastionarnos through a number of assumptions and using a number of key points, how to make a question to which we respond as we want to hear, that is, you do not know. What skills is the person to exercise what are you doing? What acitudes should take to answer a particular person to answer it for you?

Good questions are stimulating, they make you think of things you had not thought of and people value the questions for what they teach and what you can learn from them. Dumb questions annoy, it's silly to ask the obvious or ask what you can answer for yourself. Do not ask what we know or what we think we can tell someone close, or even if it's something you can find on your own. We must articulate questions with precision, clarity and order.